Malachi's directorial debut a "Profound exploration of the human condition, manlove"

Fresh from his appearance at the Cannes Film Festival, where he presented his new masterpiece "Merging", Malachi has been busy working the interview circuit detailing the many elements of the film that has brought it to the forefront of the public zeitgeist.

"I made full use of wide angle shots of the various landscapes scattered throughout the world, from the cold blue artic tundras to the gentle earth tones of the Sahara, to finally a long, drawn out establishing shot of a rigid cock silhouetted against the Eiffel tower.  It really puts things into perspective.  Like how big that guy's cock is," noted Malachi, who stood answering questions about the movie in front of the poster of star Eric Bana being covered in a bucket of milk.

"My previous roles normally featured things like a character arc, or dialogue, but Malachi mostly just made me arrive on set everyday and remove my clothes for, as he put it, artistic purposes..." Eric Bana said.

"It really puts things into perspective.  Like how big that guy's cock is."

- Malachi

The production was plagued by several set backs, including reshoots, weather delays, and cast members inability to remain erect for the required nine hours each day of filming.  But despite all this, Malachi persevered with his vision of capturing the essence of the human struggle, from poor children running through the streets of New Delhi, to the heights of luxury found in Saudi Arabia, to the swollen palpitating rectus of a young Latin man who has been ravaged by monster dicks all afternoon in a free-for-all gangbang.  "This is the culmination of years of effort and thousands of man hours, and I mean that pretty literally," continued Malachi. "You can't compromise your vision, no matter that the studio executives demand.  Sure, the cost of chartering flights around the world to capture stunning vistas from all four corners of the globe is staggering, as well as the time required ensuring that your cast is adequately lubed for each shot, a process I oversaw personally, combining to make the shoot both long and expensive.  But the results are on the screen, and I stand by those results.  Those sexy, sexy results."

While only time will tell if the mixture of natural shots inter-spliced with what can only be described as "relentless hammer fucking of a man's anus" is profitable, there is sure to be many followup movies, as Malachi has indicated there is "basically warehouses full of unused material.  We once covered a guy in salad dressing and just went to town on him between actual takes for the film, so I mean I have plenty to work with."